“You have a better needle, I know”. Boy Actors on the Early Modern Stage

نویسندگان

چکیده

In this article I argue that an approach relying on metatheatrical analysis and Bakhtin’s Carnivalesque could account for the apparent subversivism of boy actor’s cross-dressing Renaissance stage: stage was rather part a sanctioned, conservative transgression. Comedy – linked to carnivalesque features shares with carnival its conservatively transgressive quality. The frequency references actors in disguise-plot comedies their metatheatricality are analysed. Drawing Jacobean play Love’s Cure will try show how comic conservatism metatheatre combine socially theatrically outcomes.

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ژورنال

عنوان ژورنال: Annali di Ca' Foscari. Serie occidentale

سال: 2022

ISSN: ['2499-2232', '2499-1562']

DOI: https://doi.org/10.30687/annoc/2499-1562/2022/10/010